In A Nutshell
A laugh/cry out loud play of intelligence and honesty, and an utterly charming portrait of a relationship.
Reece and Jen meet on a date. It doesn’t go “well”. But none the less, they embark on a long term relationship. But what happens when the little niggles grow into big problems? And just what can tragedy reveal about a person you’d rather not have wanted?
Elizabeth Bartram’s new piece of writing sets itself out to be a exploration of people and relationships, and boy, this is executed with an immense wit and observation. We start off with writing that is supremely comedic. You’d be hard pressed not to roll about laughing at the pratfalls both characters keep making and their idiosyncrasies. But what’s great is that, among the guffaws, are two sweet and charming people that you just can’t help but adore. They feel incredibly natural and real and you could absolutely imagine them being the people sat next to you in the auditorium, rather than just two actors on the stage. Bartram also has tapped into little compatibilities and incompatibilities in her characters to bring out pace, humour, and pathos, all acutely and realistically portrayed.
But what’s really outstanding is that, as the play goes on and the relationship starts to lose its sheen, the play also starts to become less funny: but that’s the point. The laughs fade in correlation to the creeping lack of lustre in their life together. What happens is that you, as an audience, go on a similar emotional journey to Reece and Jen, but via laugher and tears as observers, rather than in love as lovers.
The only issue is that the heartbreaking conclusion at the end of this relationship is perhaps a bit too much of a punch to the gut. In itself it’s a very honestly and devastatingly written, touching on some brutal emotions and revelations that come out in tragedy. It would be easy to scoff at this as being too readily turning on the melodramatics, but it’s so free and natural that makes for an incredibly deft piece on loss and its effect on people. However, it makes the end perhaps a little too intense, especially juxtaposed against the hilarity of the beginning of the show. Despite it’s expert writing, it could possibly be better in another play where it won’t feel so abrupt.
But in saying that, this is but a trivial criticism. As it is, this is the perfect modern embodiment of both comedy and tragedy. Both elements are excellently implemented for a smart rip-roaring and mascara-running microcosmic montage about people and relationships.
Direction & Production
There isn’t a credited director and producer as such, with Bartram and her associates pretty much running the show. None the less, nothing suffers theatrically. Whilst there’s nothing but a bare set, a gaggle of props – including several bags of popcorn and a panettone – and three boxes, Bartram and her team still manage to turn the stark space of the Etcetera theatre into everything from urban scrub to a homely flat. Space is well utilised, and even though there are but three actors on what is a quite generous fringe stage, it never feels too big or under used.
Particularly, there’s some very good sound design that supplement Bartram’s writing, from choice pieces of music that pop up on cue, and even some cheekily purposeful anomalies such as the music being too loud to properly hear the conversation that Reece and Jen are having in the bar. Despite it being a small and humble production, it’s resourceful and effective without ever feeling amateur.
Bartram is join on-stage alongside Ben Nelson as Reece. They are so natural and charming together that it’s hard to believe that these two aren’t a real life couple. Although Bartram wrote the piece, Nelson’s feels like he actively contributes by sliding so naturally into his character and his role. If you didn’t know better, you’d think that both Nelson and Bartram were creating the piece there and then before your eyes. The energy and chemistry that both bring to the production really augments the writing and the reality that they co-inhabit. You really fall in love with them as they fall in love with each other, and tangibly feel their anguish at the end of it all.
One of the most adorable and slick pieces of new writing to have emerged from the Camden Fringe. Absolutely worth catching when it comes around again.[youtube http://youtu.be/ebi5tj_tMKk]
Fishcakes played at the Etcetera Theatre, London, NW1 7BU, between 11 – 13 August as part of the Camden Fringe, and several other dates since.