Tag Archives: YouTube

News: FREE Track From New Musical “Dogfight”

dogfight-poster-3Southwark Playhouse and Danielle Tarento have released a recording of “Pretty Funny” on YouTube ahead of  the upcoming European premier of award-winning musical, Dogfight, based on the 1991 movie of the same name.

After it’s great success off-Broadway, the producer behind the Southwark Playhouse’s most notable hits (Parade, Victor/Victoria, and Titanic – which transferred to New York) is bringing the Lucille Lortel 2013 Awards “Outstanding Musical” to London for six weeks only.

With music and lyrics by duo Benj Pasek and Justin Paul, Time Out New York have described the score as, “Easily the most delicate, surprising, musically satisfying score since Spring Awakening.” In this track sung by lead Laura Jane Matthewson, who will play Rose in the London production, it’s easy to see why. Lilting and bittersweet with a rousing and unexpected middle-eight, if “Pretty Funny” is anything to go by, the rest of the score should be fantastic; especially if Matthewson brings the same heartfelt performance to the show that she demonstrates on YouTube.

Until the show opens, this should keep you going for a while, although the full original off-Broadway cast recording is available on Spotify. Given Tarento’s track record with both the Southwark Playhouse and the Menier Chocolate Factory, this will undoubtedly be a summer show not to be missed.

Dogfight will play at Southwark Playhouse, London, SE1 6BD, from 8 August – 13 September 2014. Preview tickets (8-12 August) are £12. Tickets are £22 (concessions available). To book, visit http://southwarkplayhouse.co.uk.

Web Review: The Rite of Spring (Animation)

Capture from animation for 'The Rite of Spring'. Photograph: Courtesy of Stephen Malinowski.

Capture from animation for ‘The Rite of Spring’. Photograph: Courtesy of Stephen Malinowski.

Rating: ***

I was sent a link to this pair of videos over Twitter that form part of the umpteen celebrations of the 150th anniversary of the first performance of Igor Stravinsky’s world-changing ballet, The Rite of Spring. Here animator Stephen Malinowski and music synthesist Jay Bacal team up to create a scrolling visual representation, in two parts, of the original score.

Malinowski, under the YouTube username smalin, has been producing such videos for some time now producing over 200 to date. The whole concept, in Malinowski’s own words is that, ‘the animation lets your eyes lead your ears.’

Don’t be put off by how the animation looks. Despite looking a little like it has been drawn using Microsoft Paint Malinowski’s simple visuals, using a programme he himself invented, leave space for an incredibly insightful analysis of both pitch and timbre. Each shape and its size demonstrates a type of sound: oval for warmth, oblong for sharp and star for staccato. What’s more Malinowski manages to animate each sound’s resonance by means of fading colour within the shape. The result is an in-depth and comprehensive dissection of the great work that is easy to interpret.

When you watch the animation you find Malinowski’s theory of eyes leading ears is bang on the money. You very quickly find yourself far more focused on the nuances of Stravinsky’s scoring rather than if you just sat down and purely listened to it. All of a sudden, even for seasoned aficionados of the piece, you’re opened up to a deeper understanding of the piece’s complexity and genius, provoking a new-found appreciation for the work.

For his other animations Malinowski has been using royalty free recordings, so teaming up with a synthesist is a bold step. Bacal’s music is for the most part incredibly impressive. A lot of the time you really are fooled into thinking you’re hearing an actual symphony orchestra. Unfortuantely, there are still more than a few tell-tale discrepancies that rob it of its convincingness, especially solo cello and trumpet sounds. It’s a stark reminder that despite the fact we’ve come an astoundingly long way since the days of .midi, we’ve still not quite managed to prefect sound reproduction; but Bacal demonstrates we’re certainly very close.

The other fault with the music is one that though managing to do a good job of handling dynamic it’s still quite flat in comparison to professional recordings that capture the vulgarity, passion, and aggression of the piece; it just can’t match an actual live performance. It lacks the personality of a conductor’s interpretation in this very by-the-book reproduction.  Therefore, despite the insight the visuals offer it’s aurally quite unsatisfying, especially for Stravinsky fanatics.

Overall, this is definitely worth a watch as it offers a straight-forward and accessible academic diversion. But for all the other recordings that YouTube has to offer, once you’ve seen this you’ll be going back to listening/watching your preferred performance, albeit a little more informed than before.